Main Index Pablo Honey The Bends OK Computer Kid A Amnesiac Hail to the Thief In Rainbows The King of Limbs A Moon Shaped Pool Thom Yorke Jonny Greenwood Ed O'Brien Colin Greenwood Philip Selway
On december 5th 1995, the song had its live premiere. Thom played it acoustically, with Jonny adding arpeggios from the middle onwards:
'True Love Waits' was recorded during the sessions for OK Computer, apparently several times in different arrangements. Two session tracks, called 'True Love Tape Loop' and 'True Love Space Loop', were released in 2017 on the cassette that was part of the OKNOTOK 20th anniversary release of OK Computer:
'True Love Tape Loop' was used during the Kid A sessions to create 'Pulk/Pull Revolving Doors'.
The "just killing time" line can be seen in this page of from the OK Computer period:
food and sex dont go
wilting before my eyes

they will peck out your eyes
mathematics aerodynamics
he blubbered under the bubbles of his overflowing mud bath
now seems like a good time to ask for your hand

just killing time before the inevitable
a lottery winner
the life line
a wee artery
with a few veins
hardly any
but the possibility of babies
as blindfold referees

this is what you get when you fuck with me
This page appeared in during the OK Computer period under the title 'waving or drowning':

paranoid android. in a bar in hollywood* the centre of the western universe, standing at the bar (social drinking) after doing the talk show bit. do you want to know this? this is what we aspire to is it? it is dark, there is a woman opposite me o is as sociably anorexic as her poodle, she looks desolate in her make up and lost eyes, next to her her husband boyfriend is persuading a younger fleshed half his age stewardess to come back to the hills to their mansion to sample his wine. she looks t him like he's a character in a hammer house horror. one of our friends spills a glass of wine over a vacuum packed gucci outfit complete with matching white hand bag. the witch goes crazy, we think it is fuunny. until we see the evil in her eyes. m friend is asked to leave. the gucci creature is the closest thing i have seen to the devil. the woman is possessed. i cannot sleep that night asking what we've got our selves into. voices talking like fax machines, hissing and spitting like demons, this is the master race. and now im part of it. anyway you didnt want to know that.

motion picture the pulsing of a life support system . that's as far as we've got.

lull there is nothing more dull. than talking talkin about yourself. what i meant to say. im sorry that i lost control. distracted and irrelevant. the stress and the tension. coming through the keyhole when. im in lull.

transport motorways and tramlines starting and then stopping taking off and landing the emptiest of feelings disapppointed peoople clinging onto bottles and when it comes its so so disappointing.

True love waits are you a virgin? every night we are haunted it paces up and down outside my room, it talks to me in its sleep. its in the tape going round and round. it stops and starts the tape machine. goes into record when it feels like it. just let it happen. just dont leave. dont leave. it waits patiently. mum left her 8 year old locked in for a week with lollipops and crisps. she had to work or forgot or something. stanley says. you, like everyone else need to feel important.

Early alternate titles of this song were 'Mortigi Tempo' and 'Awaits'.

This piece of artwork appeared in the Dead Children Playing book that accompanied the exhibition of artwork that Stanley held at Iguapop Gallery in Barcelona in 2006 (click image for full size):

The song was not played live from 1996 to summer 2000, but a soundcheck from september 8th 1997 is available:
Phil said in an interview that this song would "definitely be on the new album". People at the Tibetan Freedom Concert could hear the band playing about with the first few bars of the song during the soundcheck.

The band worked on 'True Love Waits' during the sessions for Kid A and Amnesiac. Two entries from Ed's Diary relate to the song:
monday, january 10th - wednesday, january 19th 2000
happy new year and many many thanks to all you lovely cardsenders.

i think we all arrived at the studio with that same dread of starting where we left plough back into the old tracks seemed like a daunting task. nigel suggested a different plan of action to ease us back into it over the next couple of weeks. the idea was to spend this time working in a completely different way; no acoustic instruments ie any guitars,drums or vocals......everything has to be electronically generated. it means that we can't fall back on what we've done before and forces us to work this equipment. it's actually an incredible amount of fun - which is not something we've had in abundance over the last year or in studios in general. we've been working on four 'bits' and because they are fairly abstract it will be interesting to review it in a few weeks. the important thing is that you are constantly learning even if something doesn't necessarily work out. and actually it's something we've been meaning to do for a while. again it's the need to change the methodology in how you actually make the music - only by doing this will we actually produce stuff that sounds any different. and conversely by finding another approach to recording, it enthuses us in the way that we've worked together as a 'live' band. the rehearsals last week were fantastic precisely because we had not picked up those instruments and recorded them.

this week we have cast the experimental net further afield to include material like 'true love waits' and 'feeling pulled apart by horses'. the former has been kicking around for about four years now and each time we approached it we seemed to be going down the same old actually sounds like the start of something exciting now.

did an interesting band version of 'bombers' which thom has attached to what i used to call 'the neil young' song...we may play it some time later this evening.

wednesday, february 9th 2000
put 'true love waits' up again....this is a song which has been kicking around for four years or so, in fact we recorded a version of it when we were making the last album and this is something like approach number 561. but it is a great's simply trying to find a way of doing it which excites us. and we may have found a way, at the very least we've found a new approach ........ basically the track has the same vocal melody but the chords have changed underneath it. so we'll come back to it and see how it sounds. it may of course be utter crap and we have so lost the plot on this song...............please don't let that be the case........
  Unreleased june 2000 july 2000 september 2000 october 2000
Follow Me Around [2] 30 17
Nude [1] 04
True Love Waits [1] 08
  Unreleased may 2001 june 2001 07/'01 august 2001 september 2001 10/2001
True Love Waits [7] 30 01 16 20 09 14 02
Reckoner [1] 23
Nude [2] 24 03
Follow Me Around [2] 29 07
  2002 Iberian tour july 2002 august 2002
Follow Me Around [1] 01
Nude [1] 07
True Love Waits [1] 01
On October 27th 2002, Thom performed the song at the Bridgeschool Benefit Concert:
  Unreleased may 2003 june 2003 july 2003 august 2003
True Love Waits [3] 25 05 16
Nude [2] 15 26
Follow Me Around [1] 31
  Unreleased sept. 2003 october 2003 november 2003 dec. 2003 april/may 2004
True Love Waits [2] 09 17
Nude [2] 26 04
Follow Me Around [1] 27
In 2004, these items appeared in the Scrapbook section of

Thom: "I read an article about a child who was between 5-8 yrs old who was left on his/her own for a week in a house when his parents left on hoilday and he lived on lollipops on crisps. True."
Speaking of new songs, guitarist Ed O'Brien confided to reporters this fall that 'I Promise', and 'True Love Waits', two of their unreleased songs that the band routinely play for soundchecks, and 'Motion Picture Soundtrack', which has appeared as a final encore in the past, could end up on the new album. Furthermore, O'Brien told NME that the band had already worked on some stuff in the back of their tour bus while they were on the road for the last album.
Asked about the acoustic live version, and whether they plan to record a proper studio version:

Thom: "I thought that was a pretty good version... If you know what I'm trying to say. So, yeah, you know, it's not like we're gonna suddenly put a bloody great orchestra on it or something. So, I don't know. You know, we've tried a million different ways to do it. And I think that's sort of the best at the moment."
During the summer 2006 touring, 'True Love Waits' was played as an intro to 'Everything In Its Right Place' four times. This recording comes from the show on june 24th 2006 in Berkeley:
  Thom solo intros to EIIRP may 2006 june 2006 august 2006
True Love Waits [4] 24 30 19 22
Follow Me Around [1] 29
  Thom solo intros to 'EIIRP' august 2008 october 2008 march 2009 august 2009
True Love Waits [5] 25 07 22 26 23
The One I Love [4] 05 08 15 27
Unravel [1] 04
Song to the Siren [1] 24
Maps [2] 29 30
On july 19th 2009, Thom played the song on acoustic guitar at the Latitude Festival:
The song was part of the setlist at Thom's february 25th 2010 Cambridge gig:
27. february 25th 2010 Corn Exchange Cambridge UK Link
Live performances #28 to #35 during the touring for The King of Limbs as an intro to 'Everything in Its Right Place':
  The King of Limbs tour (1st half) 09/'11 02/'12 march 2012 april 2012 05/'12 june 2012
Identikit [24] 27 29 01 03 05 06 07 09 11 15 09 11 12 14 17 29 31 01 03 05 06 08 10 13
Ful Stop [2] 10 11
True Love Waits [8] 29 29 05 13 18 08 13 15
Cut a Hole [2] 27 03
Skirting On the Surface [3] 05 06 18
Live performances #36 to #43 during the touring for The King of Limbs as an intro to 'Everything in Its Right Place':
  The King of Limbs tour (2nd half) july 2012 september 2012 october 2012 november 2012
Identikit [11] 10 25 27 20 23 08 15 18 06 13 16
Ful Stop [8] 10 30 06 14 15 16 12 17
True Love Waits [8] 11 25 30 09 12 18 13 17
The lyrics for the song can be seen in one of eleven pieces of artwork made from several layers of tracing paper, including some early drafts beneath the final one: