The Face: Back to this record, and back to Screamedelica: the second-last track, Olympik, is a proper rave banger.
Ed: That’s what I wanted it to be. When I came up with those chords I called it Olympik with a K after 808 State’s Cubik. It’s an homage to that. That’s the last song that was written for the album. It’s like, the rave: that’s what I’m after. That feeling. That’s what I want for the live gigs. I don’t know how it’s gonna go, but that’s what I’m aiming for.
The Face: It has that transporting oomph (for want of a better word) that Radiohead have at a couple of crucial points in your live sets. I’m saying: Everything In Its Right Place and Idioteque…
Ed: Totally. For me it’s a bit like the bastard brother or sister of, say, Weird Fishes on In Rainbows. My favourite Radiohead moments are those euphoric ones. I love when you can feel it, the wave. That’s what I was trying to do.
The interesting thing for me is that my frustration with rave is that there’s not enough light and shade. Sometimes you’re just fucking bored. And if you’ve ever gone to a rave and you haven’t done any drugs, it’s… [shrugs] you know? That’s why I wanted the darkness [on the album], the slower moments. So that it’s not just bang, bang, bang. It’s a journey.
The Face: Let’s say Face readers who don’t know the music have to stream one song by EOB and one song by Radiohead to get a sense of both artists. What are they?
Ed: Olympik and Weird Fishes/Arpeggi. Olympik is probably my favourite track on my record. And Weird Fishes is my favourite Radiohead track, and without fail whenever we play it live, I get this feeling… That and Let Down from OK Computer, they’re the two where there’s an emotion that just sits there. I really connect with that. They seem to comfort the audience as well.